Chocolate Box

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Handle Name is "Sign3121" a.k.a. "mayte" a.k.a. "nude69"

Prince is my Soul

- Emancipation -
free 2 do what I wanna
see U in the purple rain
free 2 do what I wanna
break the chain, break the chain


** Emancipation (My Another Blog)
** Twitter @Sign3121
**Pintarest @Sign3121


: PRINCE @ Nat'l Grove Part 2

ima90sbaby:

It’s the morning day after and I’m still buzzing!

(I started this May 8th)

So per Prince’s request, there was no video or photography allowed or they’d take you outside, make you delete all photos, and then kick you the hell out. I paid $450 for the tickets so I wasn’t even…

  • Glam Slam · Prince · Lovesexy

jestern2yx:

Prince - Glam Slam

This thing we got is Alive! It #transcends the physical; one touch & I’m satisfied! Is this a dream? It all seems so magical! :) Wow! That was the best ever! That was slamming; how glam! Thank u; u made my day! #Yes
This is a complex piece of music, and it stands as one of my favorites! A beautiful composition!

126

marinah2oblue: Winona Ryder photographed by Craig McDean for Interview Magazine

marinah2oblue:

Winona Ryder photographed by Craig McDean for Interview Magazine

242

motomocomo: kwwwsk: killerbeach: kagurazakaundergroundresistance: nobodyplace: (via Valeria H) (via chocoaurorae)

motomocomo:

kwwwsk:

killerbeach:

kagurazakaundergroundresistance:

nobodyplace:

(via Valeria H)

(via chocoaurorae)

778

homme—models: Clement Chabernaud - Family Matters, Man About Town S/S13 Issue.

homme—models:

Clement Chabernaud - Family Matters, Man About Town S/S13 Issue.

  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…
  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…
  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…
  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…
  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…
  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…
  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…
  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…
  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…
  • annstreetstudio: Living in the Gatsby-esque grandeur of the 1920s for just a night…

annstreetstudio:

Living in the Gatsby-esque grandeur of the 1920s for just a night…

202

annstreetstudio: After parties in NY take you to the best places…Kelly & Zach at the Plaza hotel in NYC!

annstreetstudio:

After parties in NY take you to the best places…Kelly & Zach at the Plaza hotel in NYC!

theniftyfifties:

Marlon Brando in ‘The Young Lions’, 1958.

  • gqfashion: Daft Punk x Saint Laurent
  • gqfashion: Daft Punk x Saint Laurent
  • gqfashion: Daft Punk x Saint Laurent
  • gqfashion: Daft Punk x Saint Laurent

gqfashion:

Daft Punk x Saint Laurent

34

  • gq: Our April Cover Star: Bruno Mars Every clean cut, down-the-middle pop superstar has an alter ego hiding just out of sight. In the case of Bruno Mars, we’ve gotten glimpses—this is a man, after all, who’s already had one high profile drug-possession bust and whose latest global smash-hit single is all about a girl’s vagina. But when he picks you up in his car just after midnight in Los Angeles, you never know where he’s going to take you next. Chris Heath goes for a ride with pop music’s biggest hitmaker: “You know how hard it is to write a big song?” he says. “That shit is hard, man. It’s so hard to do. Might be one of the hardest things to ever do. I don’t ever want to come out with something safe and get away with ‘It sounds good!’ It’s got to be more than sounding good. The music I like are events. Fucking ‘Bohemian Rhapsody’is my favorite song—that song’s an event. And that’s what I want to do. I’m sure that shocked the world, that song. ‘Billie Jean’ shocked the world. ‘Smells Like Teen Spirit.’ Those songs are events. That guy put everything he got into that, and he meant it.” Just like Mars did, he’s saying, for his latest songs. “It’s that unexplainable high. Why I keep doing it. That feeling that you keep on chasing and chasing. Because it’s nothing, man. It’s taking the air and turning it into something. That’s the feeling.” Bruno Mars, who works with two partners as the songwriting-and-production team known by the name the Smeezingtons, is beginning to stake a claim as one of the most gifted songwriters of his generation. Among the highlights so far: the two biggest hits off his first album, “Grenade” and “Just the Way You Are”; the new “When I Was Your Man”; Cee Lo’s “Fuck You”; Lil Wayne’s “Mirror”; the pair of songs that started it all, B.o.B.’s “Nothin’ on You” and Travie McCoy’s “Billionaire”; and, of course, “Locked Out of Heaven.” “That one shocked me. That it turned out the way it did. I haven’t done a song like that. And hopefully every album, I’ll get that feeling. And shock the world! Shock the world!” You want to shock the world? “Hell yeah! I’ve got nothing else to do.” Read the full interview with Bruno at GQ.com
  • gq: Our April Cover Star: Bruno Mars Every clean cut, down-the-middle pop superstar has an alter ego hiding just out of sight. In the case of Bruno Mars, we’ve gotten glimpses—this is a man, after all, who’s already had one high profile drug-possession bust and whose latest global smash-hit single is all about a girl’s vagina. But when he picks you up in his car just after midnight in Los Angeles, you never know where he’s going to take you next. Chris Heath goes for a ride with pop music’s biggest hitmaker: “You know how hard it is to write a big song?” he says. “That shit is hard, man. It’s so hard to do. Might be one of the hardest things to ever do. I don’t ever want to come out with something safe and get away with ‘It sounds good!’ It’s got to be more than sounding good. The music I like are events. Fucking ‘Bohemian Rhapsody’is my favorite song—that song’s an event. And that’s what I want to do. I’m sure that shocked the world, that song. ‘Billie Jean’ shocked the world. ‘Smells Like Teen Spirit.’ Those songs are events. That guy put everything he got into that, and he meant it.” Just like Mars did, he’s saying, for his latest songs. “It’s that unexplainable high. Why I keep doing it. That feeling that you keep on chasing and chasing. Because it’s nothing, man. It’s taking the air and turning it into something. That’s the feeling.” Bruno Mars, who works with two partners as the songwriting-and-production team known by the name the Smeezingtons, is beginning to stake a claim as one of the most gifted songwriters of his generation. Among the highlights so far: the two biggest hits off his first album, “Grenade” and “Just the Way You Are”; the new “When I Was Your Man”; Cee Lo’s “Fuck You”; Lil Wayne’s “Mirror”; the pair of songs that started it all, B.o.B.’s “Nothin’ on You” and Travie McCoy’s “Billionaire”; and, of course, “Locked Out of Heaven.” “That one shocked me. That it turned out the way it did. I haven’t done a song like that. And hopefully every album, I’ll get that feeling. And shock the world! Shock the world!” You want to shock the world? “Hell yeah! I’ve got nothing else to do.” Read the full interview with Bruno at GQ.com
  • gq: Our April Cover Star: Bruno Mars Every clean cut, down-the-middle pop superstar has an alter ego hiding just out of sight. In the case of Bruno Mars, we’ve gotten glimpses—this is a man, after all, who’s already had one high profile drug-possession bust and whose latest global smash-hit single is all about a girl’s vagina. But when he picks you up in his car just after midnight in Los Angeles, you never know where he’s going to take you next. Chris Heath goes for a ride with pop music’s biggest hitmaker: “You know how hard it is to write a big song?” he says. “That shit is hard, man. It’s so hard to do. Might be one of the hardest things to ever do. I don’t ever want to come out with something safe and get away with ‘It sounds good!’ It’s got to be more than sounding good. The music I like are events. Fucking ‘Bohemian Rhapsody’is my favorite song—that song’s an event. And that’s what I want to do. I’m sure that shocked the world, that song. ‘Billie Jean’ shocked the world. ‘Smells Like Teen Spirit.’ Those songs are events. That guy put everything he got into that, and he meant it.” Just like Mars did, he’s saying, for his latest songs. “It’s that unexplainable high. Why I keep doing it. That feeling that you keep on chasing and chasing. Because it’s nothing, man. It’s taking the air and turning it into something. That’s the feeling.” Bruno Mars, who works with two partners as the songwriting-and-production team known by the name the Smeezingtons, is beginning to stake a claim as one of the most gifted songwriters of his generation. Among the highlights so far: the two biggest hits off his first album, “Grenade” and “Just the Way You Are”; the new “When I Was Your Man”; Cee Lo’s “Fuck You”; Lil Wayne’s “Mirror”; the pair of songs that started it all, B.o.B.’s “Nothin’ on You” and Travie McCoy’s “Billionaire”; and, of course, “Locked Out of Heaven.” “That one shocked me. That it turned out the way it did. I haven’t done a song like that. And hopefully every album, I’ll get that feeling. And shock the world! Shock the world!” You want to shock the world? “Hell yeah! I’ve got nothing else to do.” Read the full interview with Bruno at GQ.com

gq:

Our April Cover Star: Bruno Mars

Every clean cut, down-the-middle pop superstar has an alter ego hiding just out of sight. In the case of Bruno Mars, we’ve gotten glimpses—this is a man, after all, who’s already had one high profile drug-possession bust and whose latest global smash-hit single is all about a girl’s vagina. But when he picks you up in his car just after midnight in Los Angeles, you never know where he’s going to take you next. Chris Heath goes for a ride with pop music’s biggest hitmaker:

“You know how hard it is to write a big song?” he says. “That shit is hard, man. It’s so hard to do. Might be one of the hardest things to ever do. I don’t ever want to come out with something safe and get away with ‘It sounds good!’ It’s got to be more than sounding good. The music I like are events. Fucking ‘Bohemian Rhapsody’is my favorite song—that song’s an event. And that’s what I want to do. I’m sure that shocked the world, that song. ‘Billie Jean’ shocked the world. ‘Smells Like Teen Spirit.’ Those songs are events. That guy put everything he got into that, and he meant it.” Just like Mars did, he’s saying, for his latest songs. “It’s that unexplainable high. Why I keep doing it. That feeling that you keep on chasing and chasing. Because it’s nothing, man. It’s taking the air and turning it into something. That’s the feeling.”

Bruno Mars, who works with two partners as the songwriting-and-production team known by the name the Smeezingtons, is beginning to stake a claim as one of the most gifted songwriters of his generation. Among the highlights so far: the two biggest hits off his first album, “Grenade” and “Just the Way You Are”; the new “When I Was Your Man”; Cee Lo’s “Fuck You”; Lil Wayne’s “Mirror”; the pair of songs that started it all, B.o.B.’s “Nothin’ on You” and Travie McCoy’s “Billionaire”; and, of course, “Locked Out of Heaven.”

“That one shocked me. That it turned out the way it did. I haven’t done a song like that. And hopefully every album, I’ll get that feeling. And shock the world! Shock the world!”

You want to shock the world?

“Hell yeah! I’ve got nothing else to do.”


Read the full interview with Bruno at GQ.com

life:

On view at Howard Greenberg Gallery: 1963

1963 was a year when everything changed. It was a roller-coaster time in American political and social history, when our nation experienced civil rights protests, the start of Beatlemania, and growing involvement in Vietnam.Martin Luther King, Jr.‘s “I Have a Dream” speech in Washington, D.C., brought enormous hope. And then, in the final months of the year, the assassination of President John F. Kennedy plunged the country into darkness, abruptly halting an age of innocence.

Bringing together more than 40 photographs depicting events from this watershed year, Howard Greenberg Gallery will present 1963 from May 9 through July 6, 2013. An opening reception will be held on Thursday, May 9, from 6 to 8 p.m.

More information here.

Pictured: New York Commuters read of John F. Kennedy’s assassination, November 1963. This Carl Mydans photo did not appear in LIFE when the magazine published as a weekly, but has been printed in later books.

(Carl Mydans—Time & Life Pictures/Getty Images)

  • nihongo: やったね! Tumblrが、ついに1億ブログの大台に乗りました! staff
  • nihongo: やったね! Tumblrが、ついに1億ブログの大台に乗りました! staff

nihongo:

やったね! Tumblrが、ついに1億ブログの大台に乗りました!